Train advance to new reading to people injoyed best information

 Train advance to new reading to people injoyed best information 

Făptașa fără amprente a operei fără conținut se numește Lana Newstrom și expune lucrări care nu pot fi văzute. Publicul care vizitează galeria de artă în care expune artista admiră contemplativ spații în care nu se află nimic  de la munte, etc. de orele lungi de lucru, criticii susțin că artista nu e tocmai originală sau, dimpotrivă, subliniază eliberarea sensurilor, pînă acum restrînse la limitele artei vizibile. O fotografie reluată de multe cronici înfățișează un public adîncit în observație și meditație studiind opere de nevăzut, aflate pe un perete gol, sub lumina unui spot care nu luminează nimic.

Viața declarativă și opera invizibilă a artistei Lana Newstrom au încă o calitate care a scăpat prea multor comentatori: sînt inexistente. Opera, artista, impresarul, declarațiile, galeria și fotografiile de la vernisaj sînt fabricații sau, cum se spune, astăzi, cu o formulă insuficient înțeleasă, sînt ”fake news”. Toată afacerea ”picturilor invizibile” e o glumă bine lucrată a unui cuplu de comici de radio canadieni care compun ficțiuni ironice și parafraze parodice, plecînd de la datele, curentele, clișeele, modele și manifestările cultural-politice ale lumii imediate. Totul e o invenție și toți cei ce au preluat știrea s-au lăsat înșelați naiv sau complice. Căci viața acestei știri frauduloase a fost susținută de două trăsături morale distincte.

Astfel, unii au lăsat naivitatea să lucreze și au cedat în fața dorinții de amuzament. V-am spus demult și nu ați vrut să ne ascultați! Iată confirmarea! Arta și, mai larg, lumea se duc de rîpă! 

Episodul ”picturilor invizibile” e, însă, mult mai mult decît o glumă, o gafă sau un fel de a cădea pe spada ideologiei critice. De fapt, cazul Newstrom vorbește despre dedesubturile obscure și vaste ale așa numitului fenomen fake news.

The case of "invisible paintings" is a visible fake and repeats a well-known pattern: the long race of pranks or provocateurs who want to joke or amend mentalities and obsessions that they have come to understand very well. Or, in much more guilty cases: aggressive and lively misinformation in the media-political struggle. Thus, like so many other demonstrably false news cases, the episode of "invisible paintings" is based on a good intuition of the world around. The authors of these pranks understood, whether harmless or ill-intentioned, the direction of thoughts and the vulnerable sensibilities of the world in which they live.

 In this case, "invisible paintings" are not completely aberrant news but a non-existent but credible fact, in a culture that has long flirted with the violation of common sense and has a proven track record in terms of absurdity. Newstrom does not exist and did not even paint his own "invisible paintings". But other people, professionally recognized as artists, did their best. Recently, I was dealing with the resonator story of the banana-work of art, glued to the wall and eaten by a spectator who declared himself, in turn, the author of a work of art (the burning of the banana).

 The London Hayward Gallery, a major landmark for contemporary art, has organized an exhibition rich, theming "invisible art". Radical and post-radical gestures are a tradition always abrupt by artists in search of the theoretical limit that has got rid of representation. Under these conditions, a prank like Newstrom is not only possible but also, if you can say so, logically. The turbulent context until the disaggregation of contemporary art and thought no longer rejects such an aberration but invites it. That she first appeared in the version of a fake news hoax is almost a coincidence. The public and the general expectations were prepared for such a collision. As they say, with an old exclamation: nothing surprises.

The second circumstance that has facilitated the life of the farce about invisible painting but does the same service to political news or common news is the ideological frenzy. I swear around any public subject, the world is divided, today, into two fortified camps: left and right. And everyone is hungry to confirm their assumptions. In other words, he wants to believe more than he thinks. In Newstrom's case, the doctrinaire press of the right reacted or, rather, rejoiced at the appearance of the gigantic body of crime: here is the proof of the moral derailment of the world in all its great invisible dimension! And no one had the time or the desire to check reality. 

The news was too good, too servile, and too edifying to be researched. This, given that countless other news, real and not false, send messages every day about the disappearance of meaning, limits, and norms in public life. An improbable bath has taken the place of reality and says that anything is possible.

The effect of this accumulation of information that breaks the meaning is enormous. Reality itself is negotiable, fluctuating, and deceptive like a skating rink on which meaning slides unpredictably and finds no firm ground. Any aberrant episode is plausible and the engines of multiplication of confusion are perfectly packaged. News like “invisible paintings” is taken over and confirmed with every astonished or scandalized comment, until it creates its own reality. Her denial is late and unrepaired. Behind it remains a living conviction.

 Multiplied daily, in thousands of variants, this circular confusion ossifies attitudes and beliefs. Unreality creates its own reality. Nothing is certain anymore, although everything is or seems proven, photographed, recorded, and authenticated by countless sources - themselves fluid and never primary. The truth shrinks as it develops. Eventually, the truth becomes so small and its imitations so vast that the difference no longer matters. The climate is impossible for knowledge and ideal for fixed ideas.

History as Entertainment People Research Reading the Entertainment History

 History as Entertainment People Research Reading the Entertainment History

Entertainment is an action, event, or activity intended to entertain and excite the interest of the audience. It is the presence of an audience that performs any private activity in recreation, from recreation or leisure. Audiences may play a passive role, such as when watching a play, opera, television show, or movie; Or an active role in the case of sports. Entertainment may be public or private and may include a formal and predetermined performance in the case of a theater concert in the case of games, or as a spontaneous performance. Many forms of entertainment are cross-cutting throughout history and cultures and develop in the light of cultural and technological changes. Movies and electronic games, for example, when using new media and media, continue to tell stories and use music. Festivals dedicated to music, theater, or dance allow the audience to entertain for several consecutive days.

Some activities that were considered entertainment, such as public executions, were continuously removed from the public sector. Other activities throughout history have been essential skills for some professions, such as sword management or archery, today are competitive sports, while forms of recreation form as they appeal to spectators each time. A group or individual interprets as entertainment that can be seen as work by others.

Entertainment provides a fun, personal satisfaction, and a good mood. In some circumstances and contexts, entertainment has a serious purpose, such as celebrations, religious celebrations, or in the case of saints. The appeal of entertainment, with its ability to use various media and its potential for creative adaptation, has ensured the continuity and longevity of many forms, themes, images, and social structures.

The entertainment experience is strongly associated with entertainment, so that a common sense of thought is fun and laughter, although many entertainers have a serious purpose. This may be the case in celebrations, celebrations, religious festivals, or various forms of satire, for example. Therefore, there is a possibility that what appears as entertainment may also be a means of achieving insight or intellectual development.

An important aspect of entertainment is the audience, which turns personal entertainment or leisure activity into entertainment.; Or audience roles can be active, as in the case of games, where participant/viewer roles can be regularly reversed. Entertainment may be public or private, including a formal, written performance in the case of a theater or concert; Or scheduled and spontaneous, in the case of children's games. Most forms of entertainment have evolved over many centuries due to changes in culture, technology, and fashion, for example with stage magic. Movies and video games, for example, although they use new media, continue to play stories, current plays, and music. Festivals devoted to music, film, or dance allow the audience to entertain on several consecutive days.

Forms of entertainment have been maintained and evolving throughout history; Some of them are notably different in civilizations, times and places, and others.

Everything has its appropriate moment; Everything under heaven is time:… time to mourn, and time to laugh; Time to mourn, and time to jump for joy And Saul was relieved and felt better. Thus the evil spirit departed from him.

History

The ancient craft of communicating events and experiences by telling a story "using events and experiences, words, images, sounds, and gestures" is not only the means by which people share their cultural values and traditions, and history from generation to generation Pass, but it has also been an important part of most forms of entertainment from the earliest times. The stories are still told in early forms, for example, around a fire during camp, or while listening to stories of another culture as a tourist.-to-ear and entertainment talking to their force as we do movies today And take pleasure in novels. "

Storytelling is an activity that has developed and developed "towards diversity". Many entertainments, including stories, especially music and drama, remain familiar but have evolved into a wide variety to suit personal preferences and a wide range of cultural expression. Many variants are supported by mixed or other forms. For example, plays, stories, and banquets (or dining) are usually enhanced by music; Games and sports are included in other activities to increase appeal. Some serious or necessary activities (such as running and jumping) can develop into competition and then become entertainment. It is said, for example, that the pole voltin.

Are We Study make awera Recpect chap an Event

 Are We Study make awera Recpect chap an Event 

The report, the portrait (feature), the obituary, and the press documentary are some of the new journalistic genres, successfully mastered by the students of the School of Advanced Studies in Journalism. All of them were studied, for five days, during the Long Articles course, held by Alina Radu, director of the publication "Ziarul de Garda". The young people tested their own observation, witnessed an event, luxuriously painted a portrait of a person, and learned to write an obituary.

The course began with an introduction to the genres of journalism that fall into the category of "long articles". The students found out that there are several types of reports, they learned the principles and structure of this type of material, and the instructor drew their attention to the fact that the most important - and mandatory - a feature of a report in the presence of the journalist on site. At the same time, Alina Radu wanted to mention that, unlike the news, in the report, the journalist can use various literary techniques to describe the atmosphere as clearly and in detail as possible. The practical part of the course followed, and the disciples had to make a report, a portrait, and an obituary.

How are ideas for reporting "born", where do we find topics and how to write differently, interesting and captivating? To find out the answers to these questions, Alina Radu invited to discuss two of the journalists specialized in writing reports and portraits: Polina Cupcea, one of the founders of the “People and Kilometers” portal, and Dorin Galben, 10 TV presenter. The guests, who are also two of the successful graduates of the School of Advanced Studies in Journalism, shared with students interesting details from their professional experience, discussed how an idea becomes the subject of a report, and pointed out the importance of observation and details.

Specializing in -articles written in the storytelling technique -, Polina Cupcea mentioned that a report or a portrait must be written in a simple language, but attractive to the public.  Get out of the way, go to the villages, talk to ordinary people. 

The training process at the School of Advanced Studies in Journalism; the complexity, variety, and intensity of the courses offered over ten months; the projects that could benefit the students of the 15th promotion of ȘSAJ; employment opportunities after graduation; admission criteria in the academic year 2020-2021 - these and other topics were discussed by the participants in the Open Days, organized in an online format, on June 18 and 19. Although constrained by the pandemic, the ȘSAJ team managed to gather a lot of instructors, graduates, students from the current promotion, and young people interested in journalism.

The people registered for the event had the opportunity to fully enjoy the full potential of the SAJ, being virtually accompanied by the director Aneta Gonța, Ph.D., media researcher, and academic coordinator Ghenadie Râbacov, to whom they could ask questions about the study process and admission campaign.

The special guests told the young people how the courses at ȘSAJ take place and how we differ from other educational institutions in the country. Among the sound names in the local media, present at the Open Days, are:

Mădălin Necșuțu, a correspondent for "Balkan Insight" (Balkan Investigative Reporting Network), editor-in-chief of "Evenimentul; instructor of the course "Journalism on political and foreign affairs".

Eugenia Creţu, a journalist at Radio Free Europe Moldova, author of documentaries in the show "Pur şi Simplu", broadcast on the public television station Moldova 1; instructor of the "Storytelling video" course.

Natalia Pîslaru, editor of the Scientific-Methodical Magazine "Modern Teacher", a reporter at Ziarul Facia.

The graduates of the School were not absent from the event either. They shared memories, talked about the experience gained in classes, but especially about how this experience helped them in their subsequent career as a journalist. Potential study candidates were able to enter into a dialogue with:

Nicolae Cușchevici, editor at rising Moldova, instructor of the course “Investigative Journalism”, graduate of the 2007-2008 promotion.

Polina Cupcea, founder and president of "People and Kilometers", instructor of the course "Long Articles", graduate of the 2012-2013 promotion.

Natalia Ghețu, moderator of the talk show "Ask Ghețu" on TV8, a graduate of the 2015-2016 promotion.

Dumitru Pelin, executive director of the Nord-News news portal, Bălți, graduate of the 2012-2013 promotion.

Maria-Victoria Race, nutritionist, collaborator at the E-Health Platform, graduate of the 2018-2019 promotion.

The current students of ȘSAJ, in turn, encouraged the participants not to hesitate for a moment and to submit the file for the 2020-2021 academic year.

The admission campaign ends on July 1, and the people who will be enrolled will have the chance to participate in some wonderful projects, including a one-week study visit to the most famous newsrooms in Romania, a camp winter with trainers from abroad, scholarships, and four-week internships in a newsroom in the United States, etc.

llinca Vandici her first day son love it surprise a din camera

llinca Vandici her first-day son love it surprise a din camera

Ilinca Candice is one of those mothers who, after the period of self-isolation, realized that it was time to cut the umbilical cord and take her son to kindergarten. Even though she is just 3 years old, Zian is already going to kindergarten, leaving Vandici to have time for her too.

 We are the kind of parents who could hardly wait for Zian to go to kindergarten. I am also lucky, because Zian's godmother, his godmother, has a kindergarten, and then we were privileged from this point of view because we took him there and left him in the family. Somehow he didn't feel his whole universe being upset. Although she had, especially now in the pandemic, that she got very used to us, some reactions in the morning that she didn't want to go, but she adjusts.
Although she is quite young, she turned 3 in June, and Ilinca is the kind of mother who was always around her son, once she got into the hands of educators, the presenter from "Bravo, you have style", relaxed.

I'm the kind of mother who explains a lot, talks a lot to him, tells him anything, responds to any curiosity, and talks to him like a big man. He also adapts easily. I'm not panicking, I'm not watching him on surveillance cameras, but that's because he's in kindergarten with his godmother and everyone treats him the way he's treated at home. If he was elsewhere, it would probably have occurred to me to monitor him, but in this case, no. I am calm while she is in kindergarten, because I know she is happy ", Ilinca also said for Libertatea, motivating that she chose to give him so early in kindergarten in order to socialize, on the one hand, and on the other hand, so that she can take care of other things.

In those hours when he is in kindergarten, and I am calm that he is in good hands, that everyone takes care of him, that he is happy there, I also have time to catch my breath, to do all kinds of things I wouldn't normally do if I stayed with him all day.

All of Ilinca's relaxation came when she started therapy with a psychotherapist. The meetings helped her realize that there is no such thing as the "best mother in the world" and that she should not raise her son according to rules imposed by specialists or new parenting trends.


There are not the same WhatsApp or Facebook groups with other moms. These things drive me crazy. That's what I'm talking about with my psychotherapist. I'm having trouble understanding if I'm doing well with Zian. Because I want the best for him, a good start in life, I realize that the most important thing is what he sees around in the first years of life and then I always have questions and I want to know if I'm doing well, if- I educate him well. I started talking to various and diverse and I was more upset than elucidated. Then the psychotherapist told me that I must be the best mother for Zian, not the best mother in the world.


That was the moment when I said “stop” and I didn’t stop listening to all the parenting specialists, not to listen to everything everyone has to say, and to realize that I am not an idiot who doesn’t know how to and raise the child. I have a great idea to raise my child and I have raised him very well so far ", Ilinca Vandici also told Libertatea.

How You Get Your Ideas Spend | Seth Godin

How You Get Your Ideas Spend | Seth Godin 

I'll give you four specific examples, and I'll explain to them at the end about how Silk tripled its sales by doing one thing. How artist Jeff Koons managed to go from being a nobody to making a lot of money and having a lot of impacts, to the way Frank Gehry redefined what it means to be an architect. And to one of my failures as a seller in recent years, a trademark I started that had a CD called "Sauce.

But before that, I want to tell you about sliced bread and a guy named Otto Rohwedder. Sliced bread was invented in 1910. Do you know what they said about that? That it's the greatest invention from ... the telegraph, or something. But this guy, Otto Rohwedder, invented sliced bread and focused, like all inventors, on the actual patenting and production. What needs to be said about the invention of sliced bread is that in the first 15 years since sliced bread was available, no one bought it, no one knew about it. It was a total failure. And the reason is that until Wonder appeared and figured out how to spread the idea of sliced bread, no one wanted it. So the success of sliced bread like the success of the things we were discussing at this conference is not necessarily about what kind of patent it is or what factory it is about, but about how you can spread your idea, or not. And I think the way you're going to get what you want or make a difference, to make things happen, is to figure out the way to make your ideas known.



And it doesn't matter if you have a cafe or you're an intellectual or a businessman, or you fly hot air balloons. I think this rule applies to everything, regardless of the field of activity. What we are experiencing now is the result of a century of dispersal of ideas. People who can spread ideas, no matter what kind of ideas, are successful. And I usually talk about business because it provides the most eloquent examples that can be inserted into a presentation and because it's the easiest way to keep track. But I would like you to forgive me for these examples because I talk about whatever you decide is useful.



The basic idea of disseminating ideas is a television and things like that. Television and the media help to spread ideas in a certain way. I call this the television-industry complex. The way it works is that you can buy ads, you can interrupt people from what they do, that gives you distribution. And you use this distribution to sell more products. And from the profit obtained in this way you can buy more advertising. And so did the military and industrial complexes that functioned some time ago. As I heard yesterday if we could get to the first page of Google. if we could find a way to be promoted there if we could figure out how to take the man by the neck, and tell him what we wanted to do. If we do that, everyone will be careful and we will win. This television-industry complex informed me of all my childhood, as well as you. All these products were successful precisely because someone realized how to reach people in a surprising way, not necessarily with a repetitive advertisement once and again, until you buy.



What happened is that they silenced the television industry. And in just a few years, anyone who sells something has discovered that marketing doesn't work the way it used to. This picture is a little moving, I'm sorry, I had a cold when I did it. But the product in the blue box in the middle is my work. I'm at the pharmacy, I'm sick, I have to buy some medicine. $ 100 million for TV commercials and magazines or spam and coupons and payments for shelf space and merchandising so that in the end I ignore any message sent. And I ignored them because I don't really need a painkiller. I bought a yellow box because I always took it. And I don't want to spend a minute solving his problem. because I don't care.


This magazine is called "Hydrate". There are 180 pages about water.


Water articles, water commercials. Imagine what it was like 40 years ago when there was only the Saturday Evening Post and Newsweek. We now have water magazines. A new product from Coca Cola Japan: water salad.

Kelis Will Birthing to a Baby Singer on Music Girl

Kelis Will Birthing to a Baby Singer on Music Girl

How was that possible? Mariam Nabatanzi gave birth to twins six times, triplets four times, quadruplets three times, and only two pregnancies with one fetus. Except for the last child, who is four months old and for whom she had a cesarean section, she gave birth to all the other children normally at home.

Ten of the children are girls, the rest are boys. The eldest is 23 years old.
She gave birth naturally all the time and says she recovered quickly. Only at the last pregnancy did she have to have a cesarean section, and since then she has been left with back pain.
The story of life

The story of this woman's life is impressive. She married at the age of 12, after escaping death, the woman says, as if through the ears of a needle: her stepmother would have crushed glass and put it in the food she wanted to give to Nabatanzi and the four his brothers. Fortunately, Nabatanzi escaped because he was not at home. Her brothers, however, ate and died immediately.

She starts crying when she remembers what she went through after she got married, "Daily Monitor" reports. In 1993, she married a 40-year-old man. and I had to take care of them. He was violent and beat me whenever he had the opportunity ", she said.
In 1994, when he was 13, Nabatanzi gave birth to his first pair of twins. Two years later, he made triplets, and after a year and seven months, he had his first quadruplets. These multiple tasks did not surprise her. Her father had 45 children, with different wives, but her descendants included quintuplets, quadruplets, twins, and triplets.

Doctors say that, indeed, it is possible that Nabatanzi had her father's genetic inheritance. It is a genetic predisposition that leads to hyperovulation, which increases the chances of multiple pregnancies.

After the sixth pregnancy, when Nabatanzi had 18 children, she wanted to stop and went to the doctor. Only the doctor told him he couldn't do anything. If he had ended his birth then, it could have been fatal. She had a much larger egg supply, and the accumulation of unfertilized eggs could not only destroy the reproductive system but could cause women to die, explained Dr. Ahmed Kikomeko of Kawempe General Hospital.

Then, the woman tried to use an intrauterine contraceptive device, but she couldn't stand it, she was going to die because of it, she was in a coma for a month.

Photo: Daily Monitor
At the age of 23, he already had 25 children. He went to the hospital again and told the doctor he wanted to stop. She was again advised to continue with the births because the egg supply was still too large.

When, in December last year, she gave birth to her last child, the 38th, by cesarean section (she had to have a cesarean section because she was too weak), she told the doctor to do something to stop giving birth, and the doctor tied her up. most likely the horns. The woman says that the doctor told her that "he will cut her uterus from the inside".

An abusive husband

Nabatanzi has 25 years of marriage, years in which she suffered a lot and was humiliated. She says she was tortured by her husband, several times, who is used to getting drunk and does not contribute to the daily life of the family. The children barely know their father, because he doesn't even stay at home, Nabatanzi explained. The eldest child, the 23-year-old boy, says he last saw his father ten years ago. Usually, it comes at night, even once a year, and stays very little, does not even catch it in the morning.

The mother is the one who took care of the children all this time. And despite the difficulties, he managed to send them to school. One of the firstborn twins is now a nurse, and the other specialized in construction. They don't have jobs yet.

The woman buys 10 kg of cornmeal a day, four kg of sugar, and three soaps and is happy that she has not seen her children suffer from hunger. However, the biggest problem in the area is water and it needs 15 cans daily. To earn a living, he sells medicinal plants and does various occasional jobs - cutting, decorating, decorating brides. Not infrequently, people laughed at her because she has so many children, but she didn't take them into account and did her job. "I don't care if he brings me money. I do not complain of pity, because I know that these children are a gift from God that I must cherish and do everything I can to protect them ", says Nabatanzi.

He is in trouble with a five-year-old son who has been diagnosed with a heart problem. He has to raise money to go to surgery in India.

Nabatanzi finds solace in her children and enjoys the family she did not have when she was a child. Now it's easier: older children help their younger siblings and help their mother with chores,

Entertainment Latest Hollywood News Best Celebrities

Entertainment Latest Hollywood News Best Celebrities

Handicraft and entertainment objects based on pyrotechnic mixtures can be sold to individuals and can be used in public by them only during the periods provided by law and methodological rules, as follows:

The sale of pyrotechnic articles from categories 1 and P1 can be done only under the conditions of observing the provisions of Law no. 126/1995 on the regime of explosives, with subsequent amendments and completions;

firecrackersPyrotechnic articles may be sold only in spaces intended for the sale of such items only after obtaining authorization to own and sell them from the Territorial Labor Inspectorate and the County Police Inspectorate / Bucharest General Police Directorate and after obtaining the agreement of the inspectorate unit for situations emergency in whose area of ​​competence it operates;

Pyrotechnic articles are stored in rooms constructed as follows:

In buildings with commercial spaces in the trading rooms, only pyrotechnic articles of categories 1 and P1, up to a gross weight of 100 kg;

in a room adjacent to the commercial space which does not serve for continuous living by persons, only pyrotechnic articles of categories 1 and P1, up to a gross weight of 500 kg;

In uninhabited buildings located in populated areas or in a storage room of a building used exclusively for industrial purposes, it is permissible to store pyrotechnic articles of categories 1 and P1, up to a gross weight of 1000 kg.

Quantities higher than those provided for in the previous paragraph and pyrotechnic articles of categories 2,3,4, P2, T1, and T2 shall be kept only in warehouses of authorized pyrotechnic articles;

The sale of pyrotechnic articles is made only by legal entities authorized for this purpose and only in places authorized under the law; the spaces for the sale of pyrotechnic articles will be arranged outside the residential buildings;

Category 1 pyrotechnic articles may not be sold or otherwise made available to consumers under the age of 16;

Manufacturers, importers, and distributors may not sell pyrotechnic articles of categories 2, 3, and 4, stage pyrotechnic articles, other pyrotechnic articles of category P2, nor may they make them available in any way to any person other than pyrotechnicians;

The spaces/constructions intended for the storage/sale of pyrotechnic articles must meet the conditions provided in annex no. 1 hereof.

CONDITIONS REGARDING THE USE OF CRAFT OBJECTS

OF DISTRACTION BASED ON PYROTECHNIC MIXTURES

The use of pyrotechnic articles is prohibited in the following situations:

between 24.00 and 6.00, except for authorized periods, as well as events of local, national, or international interest, based on the approval of local authorities;

at a distance of fewer than 50 meters from housing constructions with up to 4 levels and less than 100 m from those with more than 4 levels;

at a distance of fewer than 500 m from high voltage electrical installations, from places of storage and delivery of liquid or solid fuels, from gas installations;

at a distance less than that provided by the regulations in force for chemical and petrochemical objectives or for other objectives that present a fire or explosion hazard;

in places where there is a risk of landslides, avalanches, or falls;

on public roads open to road traffic, on pedestrian alleys, and in open spaces with crowds of people;

at a distance of fewer than 500 m from forests.

According to Order no. 125/1378/2013 on the establishment of activities, other than civil aeronautical activities, having as the effect the arrival in the airspace of various material bodies that may constitute a danger to aviation safety and on the approval of the conditions for authorization of these activities, the launch in the airspace of articles Pyrotechnic articles classified, according to specific regulations, in categories 2, 3 or 4 may, under certain conditions, constitute a danger to aviation safety. In this context, it is necessary to obtain an authorization from the Romanian Civil Aeronautical Authority.

According to the provisions of art. 5 of H.G.R. no. 95/2011, pyrotechnic articles of categories 2, 3, 4, T1, T2, and P2 may be used only by pyrotechnicians and only for the purpose for which they are intended.

The organization of games with pyrotechnic entertainment articles from categories 3 and 4 is allowed only under the conditions of the City Hall, the County Emergency Inspectorate / Bucharest-Ilfov, and the approval of the County Police Inspectorate, respectively of the General Police Directorate of the Municipality Bucharest, on whose radius the respective games are executed.